Now if only I had a kraken.
So for now I will unleash One Foot From Hell.
Yes after 4 solid weekends of filming in October 2012, a year of editing, animating and compositing in 2013, and a finally year of successful film festivals (ok, not so successful. I need to work on marketing) the film is unleashed.
I can now point people in it's general direction. I can say, "I made a film. You can see it here!".
I can now be happy that people can finally watch the bloody thing instead of me keeping it locked up whilst I reject another festival as I don't have the funds for the entry fee.
So without going to crazy. For the first link of many; you can watch the film here:-
http://vimeo.com/79604811
Cheers
Tuesday, 14 October 2014
Wednesday, 8 October 2014
Growing up, networking and such…
I say growing up, but it’s more of a getting my
life/priorities in order. By life and priorities, I mean work. It’s become all
too easy stay comfy in the day job, however the typewriter has started to call.
(Hopefully you get what I mean. I could have said
keyboard but you may have thought I was on a path to become a great pianist.
Now I mention that I do have it on my list of things to eventually do).
Brother Chris has been writing for a while, however this
year, there have been a few more opportunities for myself to help out on a
couple of projects. For real life money. Basically as of this year I too can
say I am a paid writer.
But what of the day job? Well, we’re not that well paid
yet, so I must continue in my war with free time.
That’s where the growing up comes in. Brother Chris and I
are starting to get organised. With 3 screenplays currently optioned we have a
body of work to start building on. Hopefully at least one of these will see the
light of day to carry us further.
And with this, the networking comes in. As we started to
take things more seriously I decided to attend
a course back in June – First Draft with Pilar Alessandra of On The Page.tv
This 2 day course provided excellent information on getting
a first draft together quickly, and then beefing it up in the 2nd/3rd
drafts. It was also an excellent place for networking…except I’m terrible at
networking.
The main issue I have with this is I’m not one to shout
about myself. Also, a certain percentage of people who can shout about themselves,
come across a bit arrogant. I’m sure in their day to day lives they’re entirely
pleasant. However as soon as they start telling me they have the best idea, and
they only ever had a specific actor in mind for a role, and will settle for no other,
but the script is so good that they’re definitely going to take the part; when
I’m being told this, I zone out, and lose interest. They start to sound like a…let’s
just say they are annoying.
I have a constant battle with this as here, in this very
enclosed forum, I know I have a great idea. I just don’t like having to shout
about it at the risk of coming off as an arrogant sod.
So there’s that to work on.
In many ways the reclusive feeling more than anything qualifies
me as a writer. It also helps that I trained as an animator, another
introverted profession.
So I need to grow up. Break out of my shell. Get
networking. Speak to people about my amazing idea.
It seems that’s the only way to get things get made.
Unless you not the only one in the crowd shouting. Then
it’s just a case of who’s the loudest.
You wouldn’t have guessed that I once made a film called
Jonny the Pessimist.
Monday, 16 June 2014
You know...for kids...
So I started this blog months ago, then left it mid sentence. A sentence that implies Batman & Robin is my favourite film...it's not. It's rubbish.
Anyway, I want to get this blog going again, and the quickest way was to actually post my thoughts on Batman.
Here we go...
We need to talk about Batman...
...and that's as far as I got. Since then I've calmed down a bit. Ben Affleck got cast and his 'hard as nails' picture released.
I do still love Batman, and I do still think there's room for fun. (He's even surrounded by side kicks - surely they can be the clowns).
Anyway that's enough of that.
I've been catching up on Kevin Smith's Fatman on Batman and recently listened to the Dean Trippe episode. After hearing his terrible childhood ordeal and learning of his autobiographical comic of how he came to terms with his past (with the help of our Caped Crusader), I had myself a read. I highly recommend it.
So go buy this. It's only $1 - Something Terrible - Dean Trippe
Next time I'll tell you about Screenwriting and what I've been learning.
Anyway, I want to get this blog going again, and the quickest way was to actually post my thoughts on Batman.
Here we go...
We need to talk about Batman...
I like Batman. I may even go as far as saying I love Batman.
Being born in the early 80s I can only think that my first exposure would have been the Adam West 60's Batman through reruns on T.V. and the Movie. Going forward we then have Tim Burton's 1989 film which I distinctly remember wanted to see and being fed up that Brother Chris was allowed to go but I was not old enough.
Following this there was Batman That Animated Series and from then on I was hooked.
However this is all T.V. or film and we all know Batman began life in comic form. I did have a couple of books (book books not comic books) somewhere with early stories reprinted but it wouldn't be until after watching Batman TAS that I got into comics proper.
Anyway, long story short, due to issue numbers being so high I found it difficult jumping on. I collected a lot of key Batman collections and stand alone books (Long Halloween, Arkham Asylum etc) but despite not being a weekly collector my love for the character has always been there.
Why am I explaining all this to you dear reader? So that when I discuss the following, beloved story you will know that it comes from a fan. The story in question is The Dark Knight Returns.
Here goes.
So today I finally got around to watching the animated version of The Dark Knight Returns. I haven't actually read The Dark Knight Returns in a good few years so I could be off remembering the full story. Therefore the following is based on the animated adaptation (which in theory should be the same anyway).
I had heard a lot of good things about the film and was looking forward to watching it. However over the course of the film I stated to wonder about why this is considered by some a key book in the Batman Universe. Well maybe that's too broad. What I was thinking was how, going forward, it is still considered a key book. This thing came out in the eighties and completely redefined Batman. However when it came out all animated versions of the character were still based on Adam West. Therefore this thing comes out and shows a completely different side to the character, something for the kids that had grown up and now wanted something different. (I also understand that the comics had changed in the pre-ceding years and Adam West was no longer relevant).
My issue is that since the book was published it seems this has become the only view of the character. This was the problem that I had today. The thing I felt was missing was an element of fun.
There are rumours that they plan on using TDKR as inspiration for the relationship between Batman and Superman in the upcoming Batman Vs. Superman film. It got me thinking today that there is no easy access for younger fans. The bigger issue is the comics industry not giving a access point for younger readers, therefore if a child of 10 wants to get into Batman, The Dark Knight Returns is not necessarily a good jumping on point.
Alternatively if you've grown up on Adam West or Brave and the Bold and they want to see their hero in Live action, they have to sit through The Dark Knight?
At this point, remember that I love Batman so I'm not just moaning for the sake.
To look at the old rivalry and examine Marvel, their films are fun (they may also have fun comics but I'm a strict DC only reader). Looking at the recent Warner/DC reboot of Superman, Man of Steel, one of the main aspects it was missing was a sense of fun. It was it was all a bit too serious. I'm not saying never tell a serious story, but don't make that your main focus, especially in a reboot.
Batman's history does not a fun story make, however they managed it in the 50s/60s with Dick Sprang, Gerry Robinson and giant Typewriters.
I'm also not saying Batman & Robin was good but...
I do still love Batman, and I do still think there's room for fun. (He's even surrounded by side kicks - surely they can be the clowns).
Anyway that's enough of that.
I've been catching up on Kevin Smith's Fatman on Batman and recently listened to the Dean Trippe episode. After hearing his terrible childhood ordeal and learning of his autobiographical comic of how he came to terms with his past (with the help of our Caped Crusader), I had myself a read. I highly recommend it.
So go buy this. It's only $1 - Something Terrible - Dean Trippe
Next time I'll tell you about Screenwriting and what I've been learning.
Thursday, 23 January 2014
Something wicked this way comes...
One Foot From Hell was completed on 17th November 2013.
I've been busy with other projects but haven't forgotten about this wonderful film. Recently I've got back into gear and started to send it to Festivals.
If you want to be kept up to date it would be best to 'LIKE' the facebook page as most updates will be posted there:
Thank you to all who have been involved with the making of this film. It took a while to get to the end but here we are. Now I prepare for the Fortune and Glory stage...that's next right?
Whilst I wait, enjoy some stills from the completed film.
I'm still here waiting....
Tuesday, 8 October 2013
I Shot Jenny Ringo...
Previously published (with pictures) on the blog Writer by Night!! Part 1 & Part 2
On the weekend of 13th/14th of April 2013 I shot Jenny Ringo!
Jenny Ringo and the Infinite Spell book to be more specific.
Over two days we hoped to bring to life the most ambitious Jenny Ringo film yet. A film with dinosaurs, killer clowns, hellish landscapes, 'Tron' style in game escapades and bizarre monsters from other worlds...and so we did.
Director Chris Regan and Producer Andrea Regan had strategically planned everything down to a t so we could fit everything in, so I grabbed my camera, batteries and memory cards and dived into the car to get underway.
Day One - 13th April 2013
First stop, Under-cliff.
There were a number of scenes that took place outside and it looked as though we had been blessed on this bright and sunny Saturday morning in April.
This was the first issue I had. Having an inability to see properly I need the use of spectacles to see properly. Also suffering from migraines in bright sun, I had adapted these spectacles to "react" to the harsh UV rays, creating a darker lens protecting my eyes. Had I known that this combined with reflectivity of the LCD screen on the camera, would result in an inability to see what I was filming properly, along with a lot of guess work relating to the focus, I may have re-thought my previous eyeball solution.
Anyway, we managed to get through the first few scenes well enough. The bright weather was holding up and we were still on track.
We had one final shot to make in Brighton, overlooking Madeira Drive for a giant pizza. Unfortunately it was decided that the best place for me to film was next to a playground. Now I know I was there to film Jenny Ringo. Chris and the cast knew I was there to film Jenny Ringo. However I couldn't shake the feeling that anyone else passing by may have thought I was there to film children playing.
Luckily we got the shot we needed and moved down to Madeira Drive for close ups, and to prove to all those questioning onlookers that I was in fact making a Jenny Ringo film.
However someone still wasn't happy and the heavens began to open. With the first few drops of rain. Rain that would decide not to stop as originally forecast and later forces the well planned schedule to be reassessed and split into multiple shots.
So back to Worthing we went to continue the adventures of Jenny Ringo and to Lime Café to battle the evil clowns.
It's always a bit of a struggle on films with few crew members when faced with a room full of extras. You're trying to plan a shot but also make sure everyone knows what’s happening and will be ready when the director calls “Action”.
Saying that, on this occasion there wasn't really any major difficulty. Everyone who arrived seemed quite happy chatting until it was time to get transformed into clowny evil-ness.
I don't think I'll be forgetting anytime soon, having to film close up after close up of menacing clowns, especially when it seemed it was me they were after.
Unfortunately that was where day one ended. The rain continued to pour, light was beginning to fade and we still had a couple of exteriors left. These would have to be moved to the next day. A day of monsters, babies and sea foxes.
Day Two- 14th April 2013
Day Two began as any normal day on a Jenny Ringo shoot begins. There were bandages, fake blood and lights in tiny cramped spaces.
We started with a scene that was eventually cut for time. Time in the film, and lack of time to create the effects needed. However all I remember was sitting on the bathroom floor, squashed up against the wall trying my hardest not to break down into laughter. I failed. How unprofessional of me.
Despite my failings, the scene was shot, and after getting the feeling back in my legs we moved on to the monsters outside ready for their close ups.
Once again the sun had got his hat on. However lighting a dark, interior corridor when you're outside is a pain in the back side unless you are the proud owner of some massive bright lights. Unfortunately I am not.
However we managed to get a happy medium and grab the shots we needed. As soon as the monsters had finished it was time to film the babies.
How does one direct babies I hear you ask? Well simply put, you don't. Instead you wave lots of things around, blow bubbles and eventually turn the TV on in a hope to distract them long enough to get the shot we need. It eventually worked and resulted in a 10 minute out-take of pure cute anarchy.
The beach was next. Originally the script called for the beach discussion to be at night. However in case this didn't work, a back-up would be required. Day time beach...no issues here. It was sunny, we got the shots, we moved on. We would be back later for the night time which came with a few surprises.
No off to space to space for us to crank the F-stop.
Space was located in a barn. The result of a friend’s short who still had a set up for a couple of days. Now I'm new to filming things for myself and when told to crank the Fstop to make sure we had a smooth green screen, I couldn't help but stare blankly before nodding in agreement (something I've learned more about with more night shoots). However we managed to get the space we needed. Everything was in focus that needed to be and we packed up and left.
And then we had to wait....
...finally it was dark. We could now reshoot the earlier beach scene but in darkness.
"But if it's dark, how are you going to film anything?"
We had a plan. A plan involving plastic folders, LED lights and camping lanterns. A plan that gave us the desired effect or a burning magic flame. A plan that came at a deadly cost. The cost of being attacked by millions of bugs.
Evil beach dwelling creatures that crawled up out of the pebbles to attack their prey. Had I not been tired and grumpy, some of those bugs may have survived to tell the tale of how they saw the filming of Jenny Ringo 3. However, at times I am not a patient man. It was survival of the fittest. I won.
However had I had to face the sea fox alone, I'm sure I'd be telling a different tale. It's never a good sign, when your back is to the sea and everyone start looking over your shoulder at a "dog" coming out of the sea. Not a dog my friend, but a fox. A fox that each night rises from the briny depths to wander Worthing looking for easy prey. A Sea fox...I would guess.
Anyway, we got through the last location shoot. We each went our separate ways, back to the safety of our houses and beds, to dream of the adventures of sea foxes and beach bugs.
We still weren't finished. There was still animation that I had to complete, the construction of a monster and trying twice to get the perfect night time shot of Brighton Pier.
This is another tale for next time...
On the weekend of 13th/14th of April 2013 I shot Jenny Ringo!
Jenny Ringo and the Infinite Spell book to be more specific.
Over two days we hoped to bring to life the most ambitious Jenny Ringo film yet. A film with dinosaurs, killer clowns, hellish landscapes, 'Tron' style in game escapades and bizarre monsters from other worlds...and so we did.
Director Chris Regan and Producer Andrea Regan had strategically planned everything down to a t so we could fit everything in, so I grabbed my camera, batteries and memory cards and dived into the car to get underway.
Day One - 13th April 2013
First stop, Under-cliff.
There were a number of scenes that took place outside and it looked as though we had been blessed on this bright and sunny Saturday morning in April.
This was the first issue I had. Having an inability to see properly I need the use of spectacles to see properly. Also suffering from migraines in bright sun, I had adapted these spectacles to "react" to the harsh UV rays, creating a darker lens protecting my eyes. Had I known that this combined with reflectivity of the LCD screen on the camera, would result in an inability to see what I was filming properly, along with a lot of guess work relating to the focus, I may have re-thought my previous eyeball solution.
Anyway, we managed to get through the first few scenes well enough. The bright weather was holding up and we were still on track.
We had one final shot to make in Brighton, overlooking Madeira Drive for a giant pizza. Unfortunately it was decided that the best place for me to film was next to a playground. Now I know I was there to film Jenny Ringo. Chris and the cast knew I was there to film Jenny Ringo. However I couldn't shake the feeling that anyone else passing by may have thought I was there to film children playing.
Luckily we got the shot we needed and moved down to Madeira Drive for close ups, and to prove to all those questioning onlookers that I was in fact making a Jenny Ringo film.
However someone still wasn't happy and the heavens began to open. With the first few drops of rain. Rain that would decide not to stop as originally forecast and later forces the well planned schedule to be reassessed and split into multiple shots.
So back to Worthing we went to continue the adventures of Jenny Ringo and to Lime Café to battle the evil clowns.
It's always a bit of a struggle on films with few crew members when faced with a room full of extras. You're trying to plan a shot but also make sure everyone knows what’s happening and will be ready when the director calls “Action”.
Saying that, on this occasion there wasn't really any major difficulty. Everyone who arrived seemed quite happy chatting until it was time to get transformed into clowny evil-ness.
I don't think I'll be forgetting anytime soon, having to film close up after close up of menacing clowns, especially when it seemed it was me they were after.
Unfortunately that was where day one ended. The rain continued to pour, light was beginning to fade and we still had a couple of exteriors left. These would have to be moved to the next day. A day of monsters, babies and sea foxes.
Day Two- 14th April 2013
Day Two began as any normal day on a Jenny Ringo shoot begins. There were bandages, fake blood and lights in tiny cramped spaces.
We started with a scene that was eventually cut for time. Time in the film, and lack of time to create the effects needed. However all I remember was sitting on the bathroom floor, squashed up against the wall trying my hardest not to break down into laughter. I failed. How unprofessional of me.
Despite my failings, the scene was shot, and after getting the feeling back in my legs we moved on to the monsters outside ready for their close ups.
Once again the sun had got his hat on. However lighting a dark, interior corridor when you're outside is a pain in the back side unless you are the proud owner of some massive bright lights. Unfortunately I am not.
However we managed to get a happy medium and grab the shots we needed. As soon as the monsters had finished it was time to film the babies.
How does one direct babies I hear you ask? Well simply put, you don't. Instead you wave lots of things around, blow bubbles and eventually turn the TV on in a hope to distract them long enough to get the shot we need. It eventually worked and resulted in a 10 minute out-take of pure cute anarchy.
The beach was next. Originally the script called for the beach discussion to be at night. However in case this didn't work, a back-up would be required. Day time beach...no issues here. It was sunny, we got the shots, we moved on. We would be back later for the night time which came with a few surprises.
No off to space to space for us to crank the F-stop.
Space was located in a barn. The result of a friend’s short who still had a set up for a couple of days. Now I'm new to filming things for myself and when told to crank the Fstop to make sure we had a smooth green screen, I couldn't help but stare blankly before nodding in agreement (something I've learned more about with more night shoots). However we managed to get the space we needed. Everything was in focus that needed to be and we packed up and left.
And then we had to wait....
...finally it was dark. We could now reshoot the earlier beach scene but in darkness.
"But if it's dark, how are you going to film anything?"
We had a plan. A plan involving plastic folders, LED lights and camping lanterns. A plan that gave us the desired effect or a burning magic flame. A plan that came at a deadly cost. The cost of being attacked by millions of bugs.
Evil beach dwelling creatures that crawled up out of the pebbles to attack their prey. Had I not been tired and grumpy, some of those bugs may have survived to tell the tale of how they saw the filming of Jenny Ringo 3. However, at times I am not a patient man. It was survival of the fittest. I won.
However had I had to face the sea fox alone, I'm sure I'd be telling a different tale. It's never a good sign, when your back is to the sea and everyone start looking over your shoulder at a "dog" coming out of the sea. Not a dog my friend, but a fox. A fox that each night rises from the briny depths to wander Worthing looking for easy prey. A Sea fox...I would guess.
Anyway, we got through the last location shoot. We each went our separate ways, back to the safety of our houses and beds, to dream of the adventures of sea foxes and beach bugs.
We still weren't finished. There was still animation that I had to complete, the construction of a monster and trying twice to get the perfect night time shot of Brighton Pier.
This is another tale for next time...
Monday, 23 September 2013
Let me keep you updated....
One Foot From Hell will soon be upon us.
I say soon but there’s still a bit to do. Well a lot to be honest. In terms of structure the edit is now locked. In terms of grade, just needs a slight brightness/contrast tweak when I’ve swapped all the footage for the high quality alternative (it’s a complicated task when your PC doesn’t want to help with editing). Also I do need to try to tweak the animation but due to said unhelpful PC it’s not longer rendering out the animation so for now I‘m forced to be happy with what I have.
So where do we stand?
In short, sound. In more depth, I’m mixing the dialogue, then will start to get Axel Foley and get that all mixed in. Whilst this is going on I’ll be on the hunt for composers to score the film. Then there’s just a few final flourishes to complete the film, such as credits. Well, mainly credits.
If I get on top of it all I it should be ready for a Halloween release and then ready for festivals the of 2014. This I think is the most taxing part and I need to stay positive through. I'm a creative at heart, and mixing the sound, at least at this stage, is more a job that needs doing more than anything else. Foley will be a bit more interesting, but until then I need to make sure I get mixing and I keep motivated.
But in other news, you may have seen a few extra buttons appear at the top of this page. Due to lack of organisation and webskills I’m basically turning this ‘ere blog into a main site where you can access information about my work. For the time being, my showreel , and behind the scenes info for One Foot. Ok, so there's nothing in the behind the scenes yet, but there will be.
I hope to continue to fill it with more and more information to give a more rounded study on the making of the short. I can then start directing people here to find out about me and the film.
But for now I’d better get back to sound editing.
Oh by the way, we now have a poster that I need to post up here when we're closer to finished.
To keep up to date about the progress of One Foot, you can like the Facebook fan page here!
I say soon but there’s still a bit to do. Well a lot to be honest. In terms of structure the edit is now locked. In terms of grade, just needs a slight brightness/contrast tweak when I’ve swapped all the footage for the high quality alternative (it’s a complicated task when your PC doesn’t want to help with editing). Also I do need to try to tweak the animation but due to said unhelpful PC it’s not longer rendering out the animation so for now I‘m forced to be happy with what I have.
So where do we stand?
In short, sound. In more depth, I’m mixing the dialogue, then will start to get Axel Foley and get that all mixed in. Whilst this is going on I’ll be on the hunt for composers to score the film. Then there’s just a few final flourishes to complete the film, such as credits. Well, mainly credits.
If I get on top of it all I it should be ready for a Halloween release and then ready for festivals the of 2014. This I think is the most taxing part and I need to stay positive through. I'm a creative at heart, and mixing the sound, at least at this stage, is more a job that needs doing more than anything else. Foley will be a bit more interesting, but until then I need to make sure I get mixing and I keep motivated.
But in other news, you may have seen a few extra buttons appear at the top of this page. Due to lack of organisation and webskills I’m basically turning this ‘ere blog into a main site where you can access information about my work. For the time being, my showreel , and behind the scenes info for One Foot. Ok, so there's nothing in the behind the scenes yet, but there will be.
I hope to continue to fill it with more and more information to give a more rounded study on the making of the short. I can then start directing people here to find out about me and the film.
But for now I’d better get back to sound editing.
Oh by the way, we now have a poster that I need to post up here when we're closer to finished.
To keep up to date about the progress of One Foot, you can like the Facebook fan page here!
Saturday, 31 August 2013
A whole host of randomness...
So what do I have to update?
I'd like to point you in the direction of the completed One Foot From Hell...but I can't.
I'd like to explain how my bonkers script is the most amazing un-produced film script ever...but I can't.
I'd like to also point out how I've completed all my half completed projects and how everything is going well and I'm on top of everything and got it all sorted...but I can't.
What I can tell you is that I've been to work, a lot. More than I'd like to to be honest. There are times when I find the day job really gets in the way. I sometimes wish that I could finish work early to do overtime on my film!
So in and around work I have managed to get some work on One Foot done. Darren completed the grade, which looked great. (Due to technical difficulty I had to make some adjustments myself and tweaked the colour ever so slightly).
I've now managed to start compositing the animation with the plates. There are 18 shots in total with 4 POV shots to amend. I have completed 8 out of 18.
I'm getting there.
In terms of all other projects I have going, they're all pretty much on hold. I really want to get back to writing but as highlighted above, time is stretched at the moment. Hopefully once One Foot is properly complete I'll get back into the script. For now it annoyingly has to be on hold.
You never know, it may resurface for Project 31!.
For now though, work on One Foot continues. You can "Like" the Facebook page at the link below where I post more often about the status of the film.
https://www.facebook.com/OneFootFromHell
I'm currently trying to turn this blog into more of a website about me with details of my films, behind the scenes stuff and links to Youtube and Vimeo. Somewhere I can point people towards and update easily. Note the new buttons at the top of the page.
I also have a podcast with Brother Chris. Website is below for direct MP3 downloads but you can also subscribe on iTunes. This also has a Facebook page to "Like".
https://www.facebook.com/ItWasOnlyAPound
http://www.itwasonlyapound.co.uk/
If you are already keeping up to date on Facebook, please spread the word. It's a little disheartening when I actually have more friends than I do Likes, but I guess it's direct evidence that you can't always please everyone.
To those loyal followers, I thank you!
I'd like to point you in the direction of the completed One Foot From Hell...but I can't.
I'd like to explain how my bonkers script is the most amazing un-produced film script ever...but I can't.
I'd like to also point out how I've completed all my half completed projects and how everything is going well and I'm on top of everything and got it all sorted...but I can't.
What I can tell you is that I've been to work, a lot. More than I'd like to to be honest. There are times when I find the day job really gets in the way. I sometimes wish that I could finish work early to do overtime on my film!
So in and around work I have managed to get some work on One Foot done. Darren completed the grade, which looked great. (Due to technical difficulty I had to make some adjustments myself and tweaked the colour ever so slightly).
I've now managed to start compositing the animation with the plates. There are 18 shots in total with 4 POV shots to amend. I have completed 8 out of 18.
I'm getting there.
In terms of all other projects I have going, they're all pretty much on hold. I really want to get back to writing but as highlighted above, time is stretched at the moment. Hopefully once One Foot is properly complete I'll get back into the script. For now it annoyingly has to be on hold.
You never know, it may resurface for Project 31!.
For now though, work on One Foot continues. You can "Like" the Facebook page at the link below where I post more often about the status of the film.
https://www.facebook.com/OneFootFromHell
I'm currently trying to turn this blog into more of a website about me with details of my films, behind the scenes stuff and links to Youtube and Vimeo. Somewhere I can point people towards and update easily. Note the new buttons at the top of the page.
I also have a podcast with Brother Chris. Website is below for direct MP3 downloads but you can also subscribe on iTunes. This also has a Facebook page to "Like".
https://www.facebook.com/ItWasOnlyAPound
http://www.itwasonlyapound.co.uk/
If you are already keeping up to date on Facebook, please spread the word. It's a little disheartening when I actually have more friends than I do Likes, but I guess it's direct evidence that you can't always please everyone.
To those loyal followers, I thank you!
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